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Crips and Bloods: Made in America (2008) 1080p YIFY Movie

Crips and Bloods: Made in America (2008) 1080p

Made in America is a movie starring Jim Brown, Tony Muhammad, and Kershaun Scott. With a first-person look at the notorious Crips and Bloods, this film examines the conditions that have lead to decades of devastating gang violence...

IMDB: 6.94 Likes

  • Genre: Documentary | Crime
  • Quality: 1080p
  • Size: 1.41G
  • Resolution: 1920*1080 / 23.976 fpsfps
  • Language: English
  • Run Time: 93
  • IMDB Rating: 6.9/10 
  • MPR: Normal
  • Peers/Seeds: 8 / 55

The Synopsis for Crips and Bloods: Made in America (2008) 1080p

With a first-person look at the notorious Crips and Bloods, this film examines the conditions that have lead to decades of devastating gang violence among young African Americans growing up in South Los Angeles.

The Director and Players for Crips and Bloods: Made in America (2008) 1080p

[Director]Stacy Peralta
[Role:]Jim Brown
[Role:]Forest Whitaker
[Role:]Kershaun Scott
[Role:]Tony Muhammad

The Reviews for Crips and Bloods: Made in America (2008) 1080p

Waste of time and moneyReviewed bypigeoncaVote: 1/10

A soulless and oddly voyeuristic white boy's visit to the South Side – seemingly for the first time – "Crips and Bloods: Made in America" offers few insights and much editorial gimmickry in an extended, ninety-three minute rock video which ultimately concludes that yes, THEY are human. Oh my goodness! Who knew?

About fifteen years ago filmmaker Randy Holland made a documentary about the 1992 Los Angeles riots, "The Fire This Time," which covers the same material, with the same structure. Using interviews with scholars, statesmen and the mothers of murdered Black Panthers along with members of the community, this earlier film provides an intellectual context that explains the emergence of gangs from the ashes of militancy, whereas the Pearlta doc shows little more than a litany of anger and self-pity.

"Crips and Bloods: Made in America" was made in America on a nifty computer, by a filmmaker who thinks good editing entails hammering on the keyboard as though it were a drum kit; how cool. And while we're at it, let's use every single special effect available in Final Cut Pro – or was it Avid? These jitters, shakes, blurs and flashes, especially when used during talking heads or emotion laden file footage, totally disrespect the experience of the film's subjects. And even worse, the incessant, wall-to-wall music, dull and hypnotic to the max, opens up a giant chasm between the film and the viewer. In the end, a pointless and arty documentary. Look for the Holland film; libraries have it.

Crips and Bloods: Made in America..... Red, Whitey and Blue.Reviewed byjuliankennedy23Vote: 5/10

Crips and Bloods: Made in America: 5 out of 10: This documentary starts out with the eye opening fact that the 15,000 killed in gang violence between the Crips and the Bloods is 5 times the number killed in the Troubles in Northern Ireland. I found this particularity poignant since the Irish troubles always struck me as one of the stupidest wars in modern history. Clearly The Crips and the Bloods are in that category. (One might also note that in both conflicts the participants consist almost entirely of people too poor or stupid to move out of the neighborhood when the best and brightest already fled. But I will get to that in a minute.) First a bit of praise. The documentary is well shot with great music and narration and a nice selection of both interview subjects and ideas. You very well may learn something and you cannot help feel for those that have senseless suffered from the violence.

I sometimes come down hard on documentaries that are one sided pieces of propaganda that try to fit every fact into their pre-conceived notions. Crips and Bloods surprisingly doesn’t do that. Instead it is all over the map blaming everything from whitey, to absentee fathers, to whitey, to factories closing down, to whitey, to immigrants, and even white people share some of the blame in this documentary. Every five minute blurb seems to have a different bad guy. Though in most cases the finger often points back to whitey. (Fathers wouldn’t be absent if THE MAN didn’t keep jailing them etc)

But with an African American in the White House the films analysis seems hopeless dated. The question of why the gangs are still fighting is left unanswered. And the black middle class and upper classes flight is left unmentioned as either a cause of the troubles (which it clearly contributed to) or an effect (Honestly no-one blames white people for poverty in Appalachia so why should blacks in Brentwood be responsible for the poor of Compton?)

The other cause often left unmentioned are the gangbangers themselves taking the easy way out. I have rarely heard so many grown men blame their mothers outside of a Borsch Belt comedy. Somebody needs to buy these gangbangers a mirror and a clue.

The film does a wonderful job painting the rather long history of this area of Los Angeles including immigration during World War 2, both riots and the civil rights struggles. But it struggles once it hits 1980 or so and that is a shame. I guess the answers for the last twenty five years of bloodshed are not as clear. And one feels they are also not as flattering to the victimization that some of the subjects wear like a badge of honor.

Was irony the real message?Reviewed byaventer-1Vote: 7/10

Here is what I got out of the film: cops kept the residents of this area bottled up because the surrounding neighborhoods feared what would happen if poor black people began to spread out. In doing this the cops proved to be arrogant, unfeeling and cruel. Eventually, the people in this ghetto formed gangs. At first the idea was safety and self-defense. But somehow this evolved into rival gangs fighting and killing each other. The irony is that the residents of the ghetto became exactly what they feared and despised: an organized force that kept people behind geographical barriers, held power through fear and intimidation and was respected because the members were devoid of compassion and feeling. The gangs used the cops as role models. While it is alleged in this film that cops beat up people simply because they were black, the black gangsters beat up people because of the color of the bandanna in their pocket. Whats the solution? Who says there is a solution?

A riot is shown as a major turning point. All it showed me was that pushing people too far makes them do crazy things. In one scene we see rioters destroying a car. Later they pass a car turned upside-down. So whose cars were they? Some white slum landlord who fled on foot? I doubt it. I think some hapless resident of this neighborhood woke up the next day to find he didn't have a car anymore. And all so rioters could break something. What can you say about people who loot and burn down their own neighborhood? Wouldn't YOU want to contain them? Whats the answer? To me the moral was "get out of the area and don't come back", not "Join a gang and fight".

This film was difficult for me to watch because of the overuse of visual effects. Motion sequences were sped up or run backwards and forwards. Stills used "camera shake" or unnecessary zooms. And everywhere was the "old film" effect where phony edge flare, scratches, jumpy picture and even the effect of the film jamming in the projector and catching fire. This stuff is OK if used very sparingly. When applied to every sequence, it get really tedious. And less hip-hop scratch on the soundtrack would have helped.

Since I have never lived in this neighborhood, I can only guess how non-gang members feel. But somehow I think that a lot of folks who live in the neighborhood shown in the film wish the gang guys would just go away. To me, this film shows that the gangs hurt their own friends and neighbors a lot more than they help.

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